• |
• |
• |
• |
• |
• |
 |
|---|
MTV Awards,
Ass Coordinator, Charlie’s Angels 2
Vince Vaughn as “Frank Fanning” = F
Drew
Berrymore = D
Cameron
Diez = C
Lucy
Lue = L
McG [Director]: G
L: And this time we knew the movie needed more qualities
necessary to resonate on a sociological level.
C: In other words, more ass.
G: When the girls came to me with the concept of adding
more ass sequences to “Angels 2” it sounded pretty complicated, I knew if we
wanted to pull it off we’d have to bring in an expert. Someone who really knew
the in’s and out’s of it all.
F: viewing playback of an “ass-scene” Who put a nickel
in that ass? Well chances are, if you’ve seen an ass in the film, I’m the man
behind it. Literally.
F:
Interview studio Well, I like to think
that instead of pulling ideas out of my own ass, I pull them out of other peoples
asses.
F:
Drew has, I call it the “Mona Lisa” ass, what’s your secret? Slight smile, I
wanna know more, I can’t stop looking at you.
Ass-sequence, Lucy
F:
And Lucy’s got that bad ass, that naughty ass, I wanna slap that ass and say
“you go to bed ass, there’s no TV for you tonight ass.”
C:
I mean when you’re working with someone who has as much experience as Frank,
you know you’re ass is in good hands.
Ass-sequence, Cameron
F:
Cameron - sporty ass. Let’s rough house, you know what I mean?
On-set
F: Alright Nicky, I’m gonna ask you to hold it.
Nick: Let’s cut! Cut it!
F: Cameron?
C: Yeh?
F: You’re better than that.
C: Sorry.
F: Okay, now if you could be so kind as to back that ass up, just a tad. hand on Cameron’s butt Now I’m gonna ask you, very slowly, drop it like it’s hot. Cameron dips Yes it is!
C: Ahh! Yay!
F:
Keep it sizzlin, all of you! Let’s get some sizzlin here! Nicky, believe me
you’re going to thank me for it!
Interview Studio
F:
An ass is a lot like a piñata. Until you bust that open, you don’t know what
little toys are gonna bust out of there. You know what I mean? You don’t know
what you’re gonna get your hands on. Sometimes it’s a pleasant surprise, sometimes
it’s like “Who stocked this piñata? I’m not interested. Let’s go over to the
watering hole.”
Clip
F: Interview Studio
When
I first realized this was my calling I was working as a grip on the film “Roadhouse.”
I was on the set the day Patrick Swayze was filming his now-famous “out from
under the sheet” scene, and it was then, that I saw the light.
Patrick
Swayze: I remember this kid turning to the director and saying “There is entirely
too much light on Swayze’s ass.” That kids name was Frank Fanning. And he’s
been lighting me up from the rear ever since.
Frank/Director viewing play backs
F: Is that on the screen or is that on Cameron’s ass? pointing to screen That’s the screen. Is that Cameron’s ass? That’s the screen.
G: That’s the screen.
F: That’s the screen.
Clip
G: And –
F: Hold it, G. You’re lookin a little flacid Luce.
L: I’m trying! I’m trying!
D:
Common Luce, dig deeper!
Frank walks on set
D: Yeh I don’t know how long I can hold this.
F: Dammit Lue, you can do this. You were clenching circles around everyone during rehearsals, I’m not just blowing smoke up your ass!
L: I’m sorry Frank! I just don’t think I’m going to be able to get it into gear!
F: Okay, okay okay. Take a deep breath.
L: breaths
F:
I meant through your ass.
Interview studio
L: I tried everything I could, I just…my ass was just blocked.
D:
When Lucy went soft, she took it really hard. -
Cameron and Drew at Lucy’s trailor
D:
knocks Lucy, are you in there? Common Luce, open the door!
Frank inside Lucy’s trailor, giving her butt “electric shocks.”
F: CLEAR!
L:
AHH! OW!
D:
-But when she was able to squeeze one of Frank’s balls in her ass Frank inserting
“ball” into Lucy’s butt She was really able to concentrate and find her inner
strength.
On Set
C: You can do this, okay?
L:
Okay.
F:
McG, it’s your set.
C/D/L:
gasp/cheer/celebrate
D:
Her ass was back on it’s feet in no time.
Interview Studio
L: I have to admit, when we finally sat down and watched the movie, it was…everything we imagined it would be. And more!
C: Definitely!
D: And there’s truly only one person to thank for that. *looks at Frank.
F: Well when you work with a bunch of dedicated professionals who allow you to play and experiment with their asses as much as these young ladies did, it makes your job pretty darn easy.
C: That’s so sweet Frank.
F:
Looking back, there were a lot of challenges, but I’d have to say the biggest
challenge on this film was saying goodbye.
On set
F: kissing each girls ass Goodbye to you! Goodbye to you! Goodbye to you! And I’ll see you soon! You know I will!
C/D/L: Bye! Bye!
F:
I’ll be on your ass!